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Watch: Here’s what audience has to say about Emraan Hashmi starrer Azhar on Day One:Įmraan Hashmi, usually so watchable, is buried under the inept script, which hints at shadowy dons and the guilty parties in a fuzzy, indistinct manner. Not only is there a parade of Kapils and Sachins (no, gasp, Dev or Tendulkar), the eponymous hero is not, double gasp, Mohammad Azharduddin but `Azhar Mohd’ who just happens to be a Hyderabad lad, whose affections for a Bollywood starlet lead him to abandon his first wife, and whose accidental dealings with a bookie leads him into abyss. Oops, sorry, this ain’t no bio-pic, ‘coz, look momma, it names no names. The film remains strangely ambivalent about its hero while mouthing ‘seeti-maar’ dialogue about ‘desh’ and ‘qaum’: to have made the point the way it needed to be made, the film needed to have been braver and sharper. You can also see that it’s been made to clear the real player’s name: a court did over-turn the ban but the whole process took so long that it became besides the point. (Also read: Azhar impresses viewers on Day One of release)
‘Azhar’ was presumably made because it had such a controversial figure at its centre, arising out of the fixing-maches-for-money controversy itself, which had such a deep-seated impact on the game not just nationally but internationally. Such is the extent of craven-ness on display that one of the most gripping cricketing stories of our time, featuring one of the most colourful captains of the Indian cricket team, is turned into a dull, dispirited tale. Using only first names as a dissembling tactic while referring to actual events and dates and places and times, is silly enough.